Little is known about Robert Henryson's life, who was a very well-known Scottish author much admired by his contemporories (often described as the 'greatest' Scottish medieval author); who wrote in middle-scots in the second half of the fifteenth century, and mainly during the reign of James III. He 'possibly' attended and taught at the University of Glasgow, and is associated with the town of Dunfermline, where -inasmuch as can be ascertained from his work and sixteenth century tradition- he may have worked as a teacher, lawyer, or public notary. He was not a court poet, unlike his younger contemporary, William Dunbar.
Henryson's main works include a version of Aesop's Fables (usually entitled The Morall fabillis of Esope the Phrygian), The Testament of Cresseid, a follow-on to Chaucer's Troilus and Criseyde (but also seen as his own, original 'masterpiece', a poem in its own right) , Robene and Makyne, and Orpheus and Eurydice, a version of the classic tale.
Pricilla Bawcutt describes Henryson in Discovering Scottish Writers as excelling as 'a narrative poet' who handled the fable genre 'brilliantly.'
Enid Derham was an Australian poet and academic.
Derham was born in Hawthorn, Melbourne, Victoria, the eldest daughter of Thomas Plumley Derham, solicitor, and his wife Ellen Hyde, née Hodgson, of Melbourne. Derham was educated at Hessle College, Camberwell, then at Presbyterian Ladies' College and the University of Melbourne....
It might be lonelier
Without the Loneliness—
I'm so accustomed to my Fate—
Perhaps the Other—Peace—
Would interrupt the Dark—
And crowd the little Room—
Too scant—by Cubits—to contain
The Sacrament—of Him—
I am not used to Hope—
It might intrude upon—