WE had a sprightly nymph--in every town
Are some such sprights, who wander up and down;
She had her useful arts, and could contrive,
In Time's despite, to stay at twenty-five; -
'Here will I rest; move on, thou lying year,
This is mine age, and I will rest me here.'
Arch was her look, and she had pleasant ways
Your good opinion of her heart to raise;
Her speech was lively, and with ease express'd,
And well she judged the tempers she address'd:
If some soft stripling had her keenness felt,
She knew the way to make his anger melt;
Wit was allow'd her, though but few could bring
Direct example of a witty thing;
'Twas that gay, pleasant, smart, engaging speech,
Her beaux admired, and just within their reach;
Not indiscreet, perhaps, but yet more free
Than prudish nymphs allow their wit to be.
Novels and plays, with poems old and new,
Were all the books our nymph attended to;
Yet from the press no treatise issued forth,
But she would speak precisely of its worth.
She with the London stage familiar grew,
And every actor's name and merit knew;
She told how this or that their part mistook,
And of the rival Romeos gave the look;
Of either house 'twas hers the strength to see,
Then judge with candour--'Drury Lane for me.'
What made this knowledge, what this skill complete?
A fortnight's visit in Whitechapel Street.
Her place in life was rich and poor between,
With those a favourite, and with these a queen;
She could her parts assume, and condescend
To friends more humble while an humble friend;
And thus a welcome, lively guest could pass,
Threading her pleasant way from class to class.
'Her reputation?'--That was like her wit,
And seem'd her manner and her state to fit;
Sometking there was--what, none presumed to say;
Clouds lightly passing on a smiling day, -
Whispers and hints which went from ear to ear,
And mix'd reports no judge on earth could clear.
But of each sex a friendly number press'd
To joyous banquets this alluring guest:
There, if indulging mirth, and freed from awe,
If pleasing all, and pleased with all she saw,
Her speech was free, and such as freely dwelt
On the same feelings all around her felt;
Or if some fond presuming favourite tried
To come so near as once to be denied;
Yet not with brow so stern or speech so nice,
But that he ventured on denial twice: -
If these have been, and so has Scandal taught,
Yet Malice never found the proof she sought.
But then came one, the Lovelace of his day,
Rich, proud, and crafty, handsome, brave, and gay;
Yet loved he not those labour'd plans and arts,
But left the business to the ladies' hearts,
And when he found them in a proper train
He thought all else superfluous and vain:
But in that training he was deeply taught,
And rarely fail'd of gaining all he sought;
He knew how far directly on to go,
How to recede and dally to and fro;
How to make all the passions his allies,
And, when he saw them in contention rise,
To watch the wrought-up heart, and conquer by

Our heroine fear'd him not; it was her part
To make sure conquest of such gentle heart -
Of one so mild and humble; for she saw
In Henry's eye a love chastised by awe.
Her thoughts of virtue were not all sublime,
Nor virtuous all her thoughts; 'twas now her time
To bait each hook, in every way to please,
And the rich prize with dext'rous hand to seize.
She had no virgin-terrors; she could stray
In all love's maze, nor fear to lose her way;
Nay, could go near the precipiee, nor dread
A failing caution or a giddy head;
She'd fix her eyes upon the roaring flood,
And dance upon the brink where danger stood.
'Twas nature all, she judged, in one so young,
To drop the eye and falter in the tongue;
To be about to take, and then command
His daring wish, and only view the hand:
Yes! all was nature; it became a maid
Of gentle soul t'encourage love afraid; -
He, so unlike the confident and bold,
Would fly in mute despair to find her cold:
The young and tender germ requires the sun
To make it spread; it must be smiled upon.
Thus the kind virgin gentle means devised,
To gain a heart so fond, a hand so prized;
More gentle still she grew, to change her way
Would cause confusion, danger, and delay:
Thus (an increase of gentleness her mode),
She took a plain, unvaried, certain road,
And every hour believed success was near,
Till there was nothing left to hope or fear.
It must be own'd that, in this strife of hearts,
Man has advantage--has superior arts:
The lover's aim is to the nymph unknown,
Nor is she always certain of her own;
Or has her fears, nor these can so disguise,
But he who searches reads them in her eyes,
In the avenging frown, in the regretting sighs:
These are his signals, and he learns tb steer
The straighter course whenever they appear.


'Pass we ten years, and what was Clelia's fate?'
At an attorney's board alert she sate,
Not legal mistress: he with other men
Once sought her hand, but other views were then;
And when he knew he might the bliss command,
He other blessing sought without the hand;
For still he felt alive the lambent flame,
And offer'd her a home,--and home she came.
There, though her higher friendships lived no

She loved to speak of what she shared before -
'Of the dear Lucy, heiress of the hall, -
Of good Sir Peter,--of their annual ball,
And the fair countess!--Oh! she loved them all!'
The humbler clients of her friend would stare,
The knowing smile,--but neither caused her care;
She brought her spirits to her humble state,
And soothed with idle dreams her frowning fate.


'Ten summers pass'd?, and how was Clelia then?'

Alas! she suffer d' in this trying ten;
The pair had parted: who to him attend,
Must judge the nymph unfaithful to her friend;
But who on her would equal faith bestow,
Would think him rash,--and surely she must know.
Then as a matron Clelia taught a school,
But nature gave not talents fit for rule:
Yet now, though marks of wasting years were seen,
Some touch of sorrow, some attack of spleen;
Still there was life, a spirit quick and gay,
And lively speech and elegant array.
The Griffin's landlord these allured so far,
He made her mistress of his heart and bar;
He had no idle retrospective whim,
Till she was his, her deeds concern'd not him:
So far was well,--but Clelia thought not fit
(In all the Griffin needed) to submit:
Gaily to dress and in the bar preside,
Soothed the poor spirit of degraded pride;
But cooking, waiting, welcoming a crew
Of noisy guests, were arts she never knew:
Hence daily wars, with temporary truce,
His vulgar insult, and her keen abuse;
And as their spirits wasted in the strife,
Both took the Griffin's ready aid of life;
But she with greater prudence--Harry tried
More powerful aid, and in the trial died;
Yet drew down vengeance: in no distant time,
Th' insolvent Griffin struck his wings sublime; -
Forth from her palace walk'd th' ejected queen,
And show'd to frowning fate a look serene;
Gay spite of time, though poor, yet well attired,
Kind without love, and vain if not admired.


An other term is past; ten other years
In various trials, troubles, views, and fears:
Of these some pass'd in small attempts at trade;
Houses she kept for widowers lately made;
For now she said, 'They'll miss th' endearing

And I'll be there the soften'd heart to bend:'
And true a part was done as Clelia plann'd -
The heart was soften'd, but she miss'd the hand;
She wrote a novel, and Sir Denys said
The dedication was the best he read;
But Edgeworths, Smiths, and Radcliffes so engross'd
The public ear, that all her pains were lost.
To keep a toy-shop was attempt the last,
There too she fail'd, and schemes and hopes were

Now friendless, sick, and old, and wanting

The first-born tears of fallen pride were shed -
True, bitter tears; and yet that wounded pride,
Among the poor, for poor distinctions sigh'd.
Though now her tales were to her audience fit;
Though loud her tones, and vulgar grown her wit,
Though now her dress--(but let me not explain
The piteous patchwork of the needy-vain,
The flirtish form to coarse materials lent,
And one poor robe through fifty fashions sent);
Though all within was sad, without was mean, -
Still 'twas her wish, her comfort, to be seen:
She would to plays on lowest terms resort,
Where once her box was to the beaux a court;
And, strange delight! to that same house where she
Join'd in the dance, all gaiety and glee,
Now with the menials crowding to the wall
She'd see, not share, the pleasures of the ball,
And with degraded vanity unfold,
How she too triumph'd in the years of old.
To her poor friends 'tis now her pride to tell,
On what a height she stood before she fell;
At church she points to one tall seat, and 'There
We sat,' she cries, 'when my papa was mayor.'
Not quite correct in what she now relates,
She alters persons, and she forges dates;
And finding memory's weaker help decay'd,
She boldly calls invention to her aid.
Touch'd by the pity he had felt before,
For her Sir Denys oped the Alms-house door:
'With all her faults,' he said, 'the woman knew
How to distinguish--had a manner too;
And, as they say she is allied to some
In decent station--let the creature come.'
Here she and Blaney meet, and take their view
Of all the pleasures they would still pursue:
Hour after hour they sit, and nothing hide
Of vices past; their follies are their pride;
What to the sober and the cool are crimes,
They boast--exulting in those happy times;
The darkest deeds no indignation raise,
The purest virtue never wins their praise;
But still they on their ancient joys dilate,
Still with regret departed glories state,
And mourn their grievous fall, and curse their
rigorous fate.

About William Cowper

an English poet and hymnodist. One of the most popular poets of his time, Cowper changed the direction of 18th century nature poetry by writing of everyday life and scenes of the English countryside. In many ways, he was one of the forerunners of Romantic poetry. Samuel Taylor Coleridge called him "the best modern poet", whilst William Wordsworth particularly admired his poem Yardley-Oak. He was a nephew of the poet Judith Madan. While Cowper found refuge in a fervent evangelical Christianity, the inspiration behind his much-loved hymns, he often experienced doubt and feared that he was doomed to eternal damnation.... Read more...

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Malay Roy Choudhury (Bengali: মলয় রায়চৌধুরী) is a Bengali poet and novelist who founded the "Hungryalist Movement" in the 1960s. His literary works have been reviewed by sixty critics in HAOWA 49, a quarterly magazine which devoted its January 2001 special issue to Roy Choudhury's life and works. Commemorative issues...

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À d'autres l'Italie et ses mers azurées,
Et ses villes toujours d'un chaud soleil dorées,
Venise qu'on dirait, avec ses grands palais,
Une flotte échouée au bord de sa lagune,
Où le pêcheur croit prendre, aux clartés de la lune,
Les étoiles dans ses filets...